What do think of Polo G’s usage in “Wishing for a Hero”? “The Way It Is” is back on the airwaves this summer. I was not patient and I paid the price.” Before he leaves, he talks with RS about his own, very particular career path.
“So if you never hear from me again, you’ll know what happened. “I’m sort of bound and determined to do it,” he says, half-jokingly. to work on them with producers Blake Mills and Tony Berg. In a few weeks, he’s planning to fly to L.A. Since he’s been holed up at home in Virginia, Hornsby has already written another album, including several songs inspired by the coronavirus. He briefly joined the Grateful Dead, worked with jazz players like Branford Marsalis and Pat Metheny, ventured into electronica, and wrote music for assorted Spike Lee projects. Instead, he has followed his own unpredictable muse for three decades. With “The Way It Is,” Hornsby seemed set for a career as a meditative singer-songwriter his collaborations with Don Henley (“The End of the Innocence”) and Bonnie Raitt (“I Can’t Make You Love Me”) bolstered his adult-pop cred.
#Changes tupac sampled song full#
The situation is the latest oddball turn in a career full of them. Not quite the “Funky Drummer” of piano, but close. Since then, “The Way It Is” has been sampled or re-recorded in nearly 20 hip-hop tracks by 2Pac, Snoop Dogg, Mase and, this year, Polo G (“Wishing for a Hero”). Nearly 35 years ago, Hornsby had an out-of-the-box hit with “ The Way It Is,” which combined an elegantly hooky piano with lyrics confronting racism (“They passed a law in ’64/To give those who ain’t got a little more/But it only goes so far/Because the law don’t change another’s mind”). Hornsby is joking, of course, but this summer has brought another reminder of the keyboardist-singer’s unexpected impact on the genre. “You’re going to have to make a plea for my inclusion!”
#Changes tupac sampled song series#
Sampa the Great’s latest album, As Above, So Below, is out now.“What’s the name of that fantastic Netflix series about hip-hop?” Bruce Hornsby asks. Whenever 2Pac’s Changes comes on, it’s a reminder to stay true to expressing myself. It’s important for people to know what inspired the live show they’ve just seen – what inspired me to take on hip-hop. We stay on stage while it plays and experience it with the crowd. This year we’ve been ending all our Sampa the Great concerts by playing Changes. He never got to achieve that, but luckily I still have that opportunity. Tupac wanted to start his own label and put more of his peers forward – and that’s where I am now. I’d always ask myself: “How would Tupac feel?” That resonated with me on a micro level when I started out making music in Australia, trying to bring my culture and music to the forefront. It wasn’t just the song I fell in love with I was immensely inspired by who Tupac was – the good, the bad and the ugly – and how he was able to navigate being a black rap superstar in the United States, in a country that was really scared of that. And that was another note for myself: regardless of where I’m from, what language I speak or which culture I belong to, the human experience always resonates.
I want to go back to the days when we were happier, when there was less pressure and it was lighter on my family.” Because Tupac was expressing human experiences, it made me connect. There’s a line in the song that goes “Things’ll never be the same” and as a kid you just think “Damn, I guess this is life as we know it. When I listened to it in my adolescence, I was starting to really see what adulthood was about and the experiences my parents were having – of having children from a different country being raised in Botswana, not fitting in, and how hard it was on them. He opens with “I see no changes”, this hopelessness, and takes us on a journey. You’re supposed to display bravado and strength.
It was unusual for a male hip-hop artist to talk about their doubts and fears. On Changes, I resonated with Tupac’s vulnerability. Lyrically, I connect with artists who talk about what’s happening in their lives.
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